The Lips and Kiss and Sin Scene From Franco Zeffirelli's Romeo and Juliet (1968)
Here is Zeffirelli's adaptation
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21 February 2017
By MRS P-C on 21 February 2017, 20:00 - LITERATURE
Here is Zeffirelli's adaptation
20 February 2017
By MRS P-C on 20 February 2017, 20:40 - LITERATURE
Prologue and Act I scene 1 (down to "Down with the Capulets! Down with the Montagues!" - Norton Shakespeare edition from line 1 to line 68).
READ the passage in the original version while WATCHING the 2 following video excerpts. Then go to JEOPARDY LABS to revise the questions done in class. Then VOTE: which film adaptation is your favourite?
By MRS P-C on 20 February 2017, 20:39 - LITERATURE
By MRS P-C on 20 February 2017, 20:38 - LITERATURE
Here is Luhrmann's adaptation (1996) of the PROLOGUE and ACT I scene 1.
Romeo + Juliet Opening par gmprunner
By MRS P-C on 19 February 2017, 09:13 - LITERATURE
10 February 2017
By MRS P-C on 10 February 2017, 22:27 - LITERATURE
READ the following definitions, useful to grasp Shakespeare's writing style. (Please, DO scroll down)
By MRS P-C on 10 February 2017, 22:25 - LITERATURE
PROLOGUE = (from the Greek – 'before speech'): the opening section of a work; a kind of introduction which is part of the work and not prefatory. It was common in drama in the 17th and 18th c., when it was often in verse. Occasionally found in novels. In plays the prologue is usually a chorus. The most famous example in English literature is Chaucer's General Prologue to The Canterbury Tales.
Source: Penguin Dictionary of Literary Terms and Literary Theory by J.A.Cuddon, 1976, 3rd edition.
By MRS P-C on 10 February 2017, 22:24 - LITERATURE
CHORUS = [from the Greek 'dance']: originally the chorus was a group of performers at a religious festival, esp. fertility rites. Then Greek tragedy acquired these choral rites. The Chorus became an essential and integral part of Greek tragic drama. In the works of Aeschylus the chorus often took part in the action; in Sophocles it served as a commentator on the action; and in Euripides it provided a lyric element. The Romans copied the idea of a chorus from the Greeks, and Elizabethan dramatists took it over from the Romans.
Source: adapted from Penguin Dictionary of Literary Terms and Literary Theory by J.A.Cuddon, 1976, 3rd edition.
By MRS P-C on 10 February 2017, 22:23 - LITERATURE
SHAKESPEAREAN SONNET:
#the Petrarchan sonnet: an octave (abba abba) + a sestet (cde cde /or/ cd cd cd)
#the Spenserian sonnet: 3 quatrains (abab bcbc cdcd) + a couplet (ee)
#the Shakespearean sonnet: 3 quatrains (abab cdcd efef) + a couplet (gg)
The Petrarchan sonnet is the most common. The octave develops one thought; then, there is a turn or 'volta' and the sestet grows out of the octave, varies it and completes it.
In the Spenserian and Shakespearean sonnets, a different idea is expressed in each quatrain; each one grows out of the one preceding it; and everything is tied up in the binding-end couplet.
Shakespeare wrote 154 sonnets – printed in 1609. Sonnets were usually used in love poetry in the Elizabethan era.
Source: adapted from Penguin Dictionary of Literary Terms and Literary Theory by J.A.Cuddon, 1976, 3rd edition.
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